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While most movies and TV shows tend to depict the 70’s as debaucherous and drug-soaked, for most of the then-tweens it was a much more innocent time. There was no Facebook, no cell phones, no video game consoles and iPods to isolate yourself with, no instant access to everything and anything. Joe Lamb and his friends occupy their time making a super-8 film for a contest. What sounds geeky actually bonds the friends together, and gets them spending time in the outdoors and stretches their creative and problem-solving skills.
Until they witness, in all too close-up reality, a horrendous train crash that releases a dangerous entity and all Hell breaks loose in their sleepy Ohio town.
And no, I’m not going to tell you what super-8 means.
| Joe and his friends are making a zombie film, which instantly endeared them to my heart. They are a group of kids who join the pantheon of entertaining and at least semi-realistic tadpoles who must face exotic and supernatural phenomena, from The Goonies to Monster Squad to Stand By Me. Joe was also relatable to me in that he lost a his mom to misadventure and had a strained relationship with his dad. Reverse that and you’d have me as a young man. While the firecracker kid and the math camp kid were kind of throwaways, budding director Charles and lead actor Martin were well-rounded and believable characters. |

A little Kyle Chandler never hurt anyone.
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I also really liked Elle Fanning as Alice Dainard, a young women Charles brings into the production because he’s crushing on her, and not because he has any idea of the ingénue she turns out to be. She wows the boys during a rehearsal, mere seconds before the train crash. During the ensuing events she develops a relationship with Joe, since the two of them are inextricably linked through their fathers, and the role Alice’s played in the tragic death of Joe’s mom.
Meanwhile, of course, there is a creature rampaging through the town. I don’t think that’s much of a spoiler. Sure, JJ Abrams likes to create drama with his secrecy policy on his movies, but really, who saw even the very first teaser trailer and didn’t know this is a creature film? If that describes you, then sorry for the spoiler. Also, Darth Vader is Luke’s Father and Kevin Spacey is Keyser Soze. You’re welcome.
So, why is the creature stalking around? What does it want, what are its machinations, what is its disposition (both I terms of demeanor and outcome)?
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Nor Ron Eldard.
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Doesn’t matter. And not just because those would be pernicious spoilers. This movie is about characters, about emotions and the ties that bind both friends and families. The monster portion of the film, while entertaining in terms of spectacle, is neither original not revelatory. It is simply a plot device to bring outside chaos into the lives of people struggling with internal maelstroms, whereby they can cleanse their wounds and begin to heal. |
Obviously a lot of the film is concerned with the aforementioned spectacle. The big train crash, then all of the shenanigans the monster gets up to. One can’t help but compare this to a Michael Bay production. The big difference being, of course, that JJ actually cares about story, and characters, as telegraphed by a conversation Joe and Charles have towards the beginning of the film.
The film starts to get a bit silly towards the end, eschewing the verisimilitude of characterizations it strives for early on in favor of tired action film tropes, but by that point Joe and the crew have earned your sympathy, so you won’t mind so much. I kind of wish Super 8 had been more intimate, like Gareth Edwards’s Monsters, but I think at this point JJ’s britches are a little too big to make a small movie.
| So, other than that quibble, and my disappointment with both the soundtrack (JJ doesn’t listen to much music, methinks) and the decision to make the score THIS FUCKING SWEEPING and THIS FUCKING LOUD during the climactic scene, Super 8 is a solid, entertaining film. It is well worth a theater trip, but will not be the summer movie that truly blows you away. What it will do is satisfyingly entertain you until your popcorn is gone. |

I was delighted to see the whole super-8 film during the end credits.
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A quick piece of trivia: Ryan Lee, who plays the explosives-obsessed Cary, is brother to Lauren Lee, star of several of Emily Hagins’s films. And no, I’m not telling you who she is, either. Jesus, learn to Google for crap’s sake.
SPOILER:
(Seriously. Big spoiler)
The scene between Joe and the creature, when they are face to face, was my favorite moment of the film. Even though it was genetically-engineered to tug at my strings, I loved it anyway. The creature’s face was shockingly human in countenance, and was clearly designed as a personification of human nature. How we can be fundamentally good, but still lash out and hurt people when angry and frightened, and how ultimately we all just want to go home.
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